A row of Haxes and McCulloughs rests in front of this angel under identical slabs. C. C. Hax died in 1927, and this monument was put up in 1928 (according to the cemetery’s Web site). The Haxes made their money in leather goods and the McCulloughs in electric equipment, so this was what you would call a mixed marriage.
As Father Pitt has mentioned earlier, Ridgelawn Cemetery preserves its stone-fenced family plots, once a feature of every “rural” cemetery, more perfectly than any other cemetery in the area. Here we have a typical plot, except for its unusual shape: a main monument in the rear center is surrounded by various smaller monuments for individual members of the family, and the stone wall breaks for an entrance inscribed with the name of the patriarch of the family.
A marble recording angel whose businesslike attitude suggests to Father Pitt that she is checking boxes on a printed form. There are no inscriptions on the monument and no Bayer grave markers near it, so Father Pitt cannot date it except to say that it looks like the sort of thing that would have been put up in the beginning of the twentieth century. It is even possible that the plot was never used; we have seen examples of families that bought cemetery plots and put up monuments to themselves, and then moved elsewhere.
“Sossong” is not a very common name, yet in this small cemetery in Glendale (Scott Township) there are at least four different Sossong family plots. It must have been a large interconnected group of cousins. This particular plot has a marble angel as its guardian, possibly erected in 1893 when Philipp Sossong died. The angel is well preserved, though the left hand and part of the scroll with the family name are missing.
The Sossongs’ descendants still keep up this plot, and all the Sossongs buried here have relatively recent granite headstones, possibly to replace inscriptions that became illegible. One of them was a priest, Fr. William B. Sossong, who was born in 1891, but for whom no death date has been filled in.
Old Pa Pitt liked this angel well enough to come twice in the same day and photograph it in two different lights. That is how dedicated he is to bringing you the finest possible illustrations.
A marble monument in what we might call folk-romantic style. The recording angel has been eroded by pollution and time, but it does not look as though it was ever a very skillful carving, Nevertheless, the whole effect of the monument is very pleasing.
The epitaph (a poem commonly found on monuments of the era) reads:
Dear mother, rest in quiet sleep,
While friends in sorrow o’er thee weep,
And here their heartfelt offerings bring
And near thy grave thy requiem sing.